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Great Wedding Movies

Father of The Bride

Memorable Quotes from
Father of the Bride (1991)

Goofs for Father of the Bride (1991)
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Memorable Quotes from
Father of the Bride (1991)

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  • Annie: What is this, 1958? Give the little wife a blender?
  • George: Drive carefully. And don't forget to fasten your condom.
  • Annie: Dad!
  • George: [shrieks in embarrassment] Seat belt! I meant, I meant seat belt.
  • [It begins to snow]
  • Annie: What? What's that face?
  • George: It's nothing.
  • Annie: Oh, this is going cost you more money.
  • George: No. It's just... I know I'll remember this moment, for the rest of my life.
  • Franck Eggelhoffer: Armani don't make polyester.
  • George: Annie, it's a little nippy out, you might want to put on a sweater.
  • Annie: Dad, it's okay, I'm kinda warm.
  • George: Still, there's a chill in the air and you've been on a plane.
  • Annie: Dad, I'm fine.
  • Bryan: Annie, it is kinda cold out.
  • Annie: It is?
  • Bryan: Yeah.
  • Annie: Alright, thanks, I'll get my jacket.
  • Matty Banks: Can I put Cameron back on the list if he promises not to eat?
  • George: You know, that's not a bad idea. Who else can we ask not to eat? My parents and your mother.
  • Annie: Why don't we just charge people? That way we can make money on the wedding?
  • Bryan: I just wanna say that I'm an upstanding citizen. I've never been engaged before. I've never really been in love before. And I think Annie's the greatest person I've ever met. And I can't wait to marry her and one day have children, and grand children. And I'm going to do my best to be supportive of her dreams. She's a very gifted architect. I'm just thrilled that I met her. I love your daughter. The feelings I have for her are never gonna change. I'm here to stay.
  • Howard Weinstein: [on the phone] Mr. Banks, this is Howard Weinstein. Franck's Executive Assistant. I... ave... your estimate for you.
  • George Banks: I can barely hear you!
  • Howard Weinstein: I'm in my car going through Water Canyon. Call you back?
  • George Banks: No, no, no. I want the estimate. How much? What's the damage?
  • Howard Weinstein: Well, everything from the flowers, to the honeymoon limo...
  • George Banks: Ok, everything. How much?
  • Howard Weinstein: [cutting out] - dred and - ifty a -ead.
  • George Banks: You're breaking up. It sounded like you said 150 ahead.
  • Howard Weinstein: No, no!
  • George Banks: Good. I was about to kill myself.
  • Howard Weinstein: It's 250 ahead.
  • George: [seeing the gift from Bryan's parents] Yikes. A whole car.
  • Annie: Dad? Dad? Dad, did you see what the Mackenzie's got us?
  • George: It's unbelievable. And you thought you'd never have a new car.
  • Annie: I know.
  • [sees him holding a gift to her]
  • Annie: What's that?
  • George: It's nothing. It's just a gift I was thinking of giving you guys. It's something you said you didn't have, but you wanted.
  • Annie: Can I see it?
  • George: [gives it to her] Yeah, you know, it's, it's not a big, big gift of course.
  • Annie: [she opens it] It's a cappuccino maker!
  • George: Supposed to be a good one. That's what they said at the store. It's uh, top of the line. Makes great foam.
  • Annie: [kisses her dad] I couldn't love anything more.
  • George: My feelings exactly.
  • Matty Banks: Right, together. Left, together. Right, together.
  • George: Matty, you're up pretty late, aren't ya?
  • Matty Banks: Yeah, I know I'm just practicing. I wish I didn't have to walk Mom down the aisle.
  • George: Don't worry, you'll be great.
  • Matty Banks: Is it right, together, left or left, together, right?
  • George: Well, let's try it. Let's see, we go right together, left together. Good. Matty, I'm sorry if I've been preoccupied lately with this wedding.
  • Matty Banks: It's ok.
  • George: Yeah, but I have, haven't I?
  • Matty Banks: It's all right. I understand.
  • George: Yeah, but...
  • Matty Banks: Yeah, ya have. But I haven't felt ignored or anything. Don't worry Dad. No permanent damage done.
  • George: Oh, well, good.
  • Annie: [in the background] It's really cute and cozy and in a great neighborhood. You'll see it. I am really excited. I've got all this packing to do, and this room looks so different.
  • Matty Banks: It's gonna be weird, isn't it? Just you and me and Mom here now.
  • George: Yeah. Come on. Goodnight pal. Sleep tight.
  • Matty Banks: Good luck tomorrow dad.
  • George: Yeah, you too.
  • Matty Banks: Annie?
  • Annie: Yeah?
  • Matty Banks: Goodnight.
  • Annie: Goodnight, Matty. I love you.
  • Matty Banks: I love you too.
  • George: This was the moment I'd been dreading for the past six months. Well, actually for the past 22 years.
  • George: Who presents this woman? This woman? But she's not a woman. She's just a kid. And she's leaving us. I realized at that moment that I was never going to come home again and see Annie at the top of the stairs. Never going to see her again at our breakfast table in her nightgown and socks. I suddenly realized what was happening. Annie was all grown up and was leaving us, and something inside began to hurt.
  • George: [answering the phone] Hello?
  • Annie: Dad!
  • George: Hi! Where are you?
  • Annie: At the airport. Our plane's about to take off, but I couldn't leave without saying goodbye. Thank Mom for everything ok? Dad, I love you. I love you very much.
  • George: I love you too, sweetheart. Thanks for calling. And have a great honeymoon.
  • Annie: Thanks. I will. Bye.
  • George: I used to think a wedding was a simple affair. Boy and girl meet, they fall in love, he buys a ring, she buys a dress, they say I do. I was wrong. That's getting married. A wedding is an entirely different proposition. I know. I've just been through one. Not my own, my daughter's. Annie Banks Mackenzie. That's her married name: Mackenzie. You fathers will understand. You have a little girl. An adorable little girl who looks up to you and adores you in a way you could never have imagined. I remember how her little hand used to fit inside mine. Then comes the day when she wants to get her ears pierced, and wants you to drop her off a block before the movie theater. From that moment on you're in a constant panic. You worry about her meeting the wrong kind of guy, the kind of guy who only wants one thing, and you know exactly what that one thing is, because it's the same thing you wanted when you were their age. Then, you stop worrying about her meeting the wrong guy, and you worry about her meeting the right guy. That's the greatest fear of all, because, then you lose her. It was just six months ago that that happened here. Just six months ago, that the storm broke.
  • [at a supermarket]
  • George: I'll tell you what I'm doing. I want to buy eight hot dogs and eight hot dog buns to go with them. But no one sells eight hot dog buns. They only sell twelve hot dog buns. So I end up paying for four buns I don't need. So I am removing the superfluous buns. Yeah. And you want to know why? Because some big-shot over at the wiener company got together with some big-shot over at the bun company and decided to rip off the American public. Because they think the American public is a bunch of trusting nit-wits who will pay for everything they don't need rather than make a stink. Well they're not ripping of this nitwit anymore because I'm not paying for one more thing I don't need. George Banks is saying NO!
  • Stock Boy: Who's George Banks?
  • George: ME!
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Goofs for Father of the Bride (1991)
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  1. * Continuity: Annie's hair when introduced to the caterer.
  2. * Continuity: George's socks change color from the supermarket to the jail scene.
  3. * Continuity: Bride is playing basketball in the driveway the night before the wedding and dad comes out to talk. She shoots basketball off camera, we hear the swoosh, but it never reaches the ground (audio) and we never see it again.
  4. * Continuity: When Annie and Bryan go to change for their honeymoon, George takes a shortcut. The time it would take for them to change would be significantly longer than the time it takes George to get to the stairs via his "shortcut," though he still manages to miss their exit.
  5. * Continuity: The huge chandelier in the dining room disappears and reappears throughout the film.
  6. * Continuity: When Annie and George are talking in the back yard (after Annie announces that she is going to get married), Annie is alternately wearing a gold necklace/pearl necklace between shots.
  7. * Continuity: When Annie comes home and announces to her parents that the wedding is off, the position of the tea set items on the tray in George's hand changes between shots.
  8. * Continuity: When Annie comes home and announces to her parents that the wedding is off, she runs up to her bedroom, carrying nothing. However, when George goes up to console her, she shows him the new blender which Brian has just given her.
  9. * Continuity: When George is in the jail cell talking to his wife, his chin is resting on the cell bars, but only in the shots when he is facing into camera. In the reverse shots (over his shoulder) he is clearly several inches away from the bars.
  10. * Continuity: When the wedding party starts the procession down the aisle at the church, Howard (Franck's assistant) starts out having Nina and Matty proceed on their left feet. By the time the bridesmaids are proceeding down the aisle, Howard's timing is off with the foot they should be on (in other words, if you think "left-right-left-right" in time with the music, they're on the "wrong" foot, even though they're still in step with each other).
  11. * Continuity: It is made a point on the day of the wedding that George has been cheated and is wearing a blue tuxedo. However, in every scene during and after the wedding, with the exception of one, he is wearing a black tux.
  12. * Factual errors: The swans in the bath honk like geese when in fact they are silent.
  13. * Continuity: In the opening credits, the wedding invitation from Annie's wedding says that the wedding date is in October. But, when Annie and her parents are discussing the wedding with Franck, they clearly state that the wedding will take place on January 6th.
  14. * Continuity: After Annie gets home from Rome and her family is at the dinner table, the shots alternate between Annie holding her fork picking at her food when the camera is on her to her arms folded when the camera is behind her.
  15. * Revealing mistakes: When Annie puts the ring on Bryan's finger at the wedding, it is very obvious by the tan line and indention that he already has been wearing a wedding ring for a long time.

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